NFL Stuff = mEDIA mINDFUCK

[Daglord]

Yeah, but Manson was a programmed tool of the controllers...as it appears Trump must be as well.

Sad!

LOL. I do think Manson was a little closer with his interpretation of Piggies.

[Daglord]

I should add... when I say Trump is a "tool" of the establishment or "trojan horse", etc, it doesn't necessarily mean he has to be a willing participant. In fact, in some cases he probably isn't. he could be completely oblivious too it, though I still think he knows what's up.

** re: Wall Street & foreign Policy? I think he (& his handlers) know exactly what they are doing.

but in regards to all the other stuff- racism, fascism, patriotism, cronyism- I think they saw in him an ignorant, narcissistic, thin-skinned egomaniac who could be easily controlled. someone so far out of their element, they could mold him in any shape they want. someone so desperate for attention and/or acceptance from the "establishment", that he will go along with almost anything they want. someone with a fair amount of showmanship/charisma/celebrity, enough that people would follow him like a lost puppy regardless of what he is or isn't doing. someone who talks like a layman, but thinks like an elite.

that said, his campaign was a stroke of genius.

[The Anti-Archon]

I should add... when I say Trump is a "tool" of the establishment or "trojan horse", etc, it doesn't necessarily mean he has to be a willing participant. In fact, in some cases he probably isn't. he could be completely oblivious too it, though I still think he knows what's up.

** re: Wall Street & foreign Policy? I think he (& his handlers) know exactly what they are doing.

but in regards to all the other stuff- racism, fascism, patriotism, cronyism- I think they saw in him an ignorant, narcissistic, thin-skinned egomaniac who could be easily controlled. someone so far out of their element, they could mold him in any shape they want. someone so desperate for attention and/or acceptance from the "establishment", that he will go along with almost anything they want. someone with a fair amount of showmanship/charisma/celebrity, enough that people would follow him like a lost puppy regardless of what he is or isn't doing. someone who talks like a layman, but thinks like an elite.

that said, his campaign was a stroke of genius.

There was a nationalist agenda at play behind the Trump campaign, an agenda that has been chipped away at bit by bit every day since Election Day. When they organized the Charlottesville thing and got Trump to fire Bannon, that was the end of that. Whatever possible catalyst for change and a return to an America-first nationalist agenda there was inside the Trump administration I fear died that day. Since then, there is only Trump the Showman playing up this WWE racial circus and dick-waggling with North Korea. Many out there wanted to see the Pentagon fully in charge of the White House. Well, they've got their wish. Again, it's better than Langley in charge, but not much. They both work for Big Oil and Big Banks.

Domestically, all I really hoped for out of Trump was the destruction of the MSM and a reduction in propagandist fakery. Instead, I get the NFL shuffle 24/7. Garbage.

[Daglord]

^ thanks. I came late to the party lol it sure escalated into a whole lotta other things quickly didn't it?

Right now the suspicion that Trump, MSM and Deep State are all in cahoots are trolling the fuck out of us all. It certainly does seem like a perfect script for constant distraction on a host of stupid things that will only divide everyone and keep the real news from anyone's attention

The brilliant part about this mindfuck is that it clusters together a whole bunch of different issues, so that if you kneel/don't kneel, you are sudden;y associated with a host of other things

kneeling = anti military
not kneeling = pro military

You're a racist if you do, and a racist if you don't, lol. If you kneel you are traitor scum but if you don't you are a Nazi

Everyone is fucked, no one can express themselves anymore without the label-machine tagging you to death

[Daglord]

There was a nationalist agenda at play behind the Trump campaign, an agenda that has been chipped away at bit by bit every day since Election Day. When they organized the Charlottesville thing and got Trump to fire Bannon, that was the end of that. Whatever possible catalyst for change and a return to an America-first nationalist agenda there was inside the Trump administration I fear died that day. Since then, there is only Trump the Showman playing up this WWE racial circus and dick-waggling with North Korea. Many out there wanted to see the Pentagon fully in charge of the White House. Well, they've got their wish. Again, it's better than Langley in charge, but not much. They both work for Big Oil and Big Banks.

I can find some common ground in there^. still convinced this was always the plan, but I never questioned Bannon's motivation.

Domestically, all I really hoped for out of Trump was the destruction of the MSM and a reduction in propagandist fakery. Instead, I get the NFL shuffle 24/7. Garbage.

[Redneck]

while I agree, & they may have found their perfect tool in Trump, Helter Skelter was about an amusement park ride.

The Tower Of Babel

[Daglord]

good shit. Manson, IMO, was a tool to put an end to the anti-war, hippie movement. 'domestic' MK Ultra IMHO.

It was upsetting. I mean, I knew Roman Polanski and Sharon Tate and - God! - it was a rough time. It stopped everyone in their tracks because suddenly all this violence came out in the midst of all this love and peace and psychedelia. It was pretty miserable, actually, and everyone got really insecure - not just us, not just the rockers, but everyone in LA felt: 'Oh, God, it can happen to anybody.' Thank God they caught the bugger - Ringo Starr

listening/reading about Manson's interpretation of the White Album is some crazy good shit.

...and their faces were as the faces of men....And they had hair as the hair of women...

And thus I saw the horses in the vision, and them that sat on them, having breastplates of fire, and of jacinth, and brimstone: and the heads of the horses were as the heads of lions; and out of their mouths issued fire and smoke and brimstone.

Like, Helter Skelter is a nightclub. Helter Skelter means confusion. Literally. It doesn't mean any war with anyone. It doesn't mean that those people are going to kill other people. It only means what it means. Helter Skelter is confusion. Confusion is coming down fast. If you don't see the confusion coming down fast, you can call it what you wish. It's not my conspiracy. It is not my music. I hear what it relates. It says 'Rise!' It says 'Kill!' Why blame it on me? I didn't write the music. I am not the person who projected it into your social consciousness.

Look at the songs: songs sung all over the world by the young love. It ain't nothin' new... It's written in... Revelation, all about the four angels programming the holocaust... the four angels looking for the fifth angel to lead the people into the pit of fire... right out to Death Valley. It's all in black and white, in the White Album - white, so there ain't no mistakin' the color - Charles Manson

Charles Manson and Helter Skelter
https://www.beatlesbible.com/features/charles-manson/

Everybody was getting on the big Beatle bandwagon. The police and the promoters and the Lord Mayors - and murderers too. The Beatles were topical and they were the main thing that was written about in the world, so everybody attached themselves to us, whether it was our fault or not. It was upsetting to be associated with something so sleazy as Charles Manson.

Another thing I found offensive was that Manson suddenly portrayed the long hair, beard and moustache kind of image, as well as that of a murderer. Up until then, the long hair and the beard were more to do with not having your hair cut and not having a shave - a case of just being a scruff or something - George Harrison

Five songs by The Beatles were particularly notable for Charles Manson, all from the White Album: Helter Skelter, Revolution 1, Revolution 9, Blackbird and Piggies.

Helter Skelter

Lines such as "Do you don't you want me to make you/I'm coming down fast but don't let me break you" and "Look out helter skelter" were, in Manson's eyes, a warning of the uprising. Helter Skelter was written on the refrigerator in the LaBianca family home.

Revolution 1

John Lennon's claim that "When you talk about destruction/Don't you know that you can count me out, in" was taken to be an endorsement of revolution. "We'd all love to see the plan" was confirmation that Manson should reveal his plans to the Family.

Revolution 9

Manson considered this sound collage as The Beatles' most significant message. It contains a number of audio clips including shouts, explosions, pigs, the repeated phrase "Number nine", and the word "Rise" (or, alternatively, "Right"). It ends with the sound of machine gun fire and screams, and was followed by Good Night. Manson believed the track was a parallel of the Bible's Revelation 9. The word "Rise" was daubed in blood on the walls of the LaBianca home.

Blackbird

Manson saw the lines "All your life, you were only waiting for this moment to arise" as The Beatles encouraging black people to rise up against the white establishment.

Piggies

Manson believed that Piggies was a reference to the establishment. "Clutching forks and knives" would have devastating consequences for the Family's victims - Leno LaBianca was left with a knife in his throat and a fork in his stomach. "Death to Pigs" was written in LaBianca's blood on a wall in his home, and "Damn good whacking" was a phrase particularly liked by Manson.

All that Manson stuff was built around George's song about pigs and this one [Helter Skelter], Paul's song about an English fairground. It has nothing to do with anything, and least of all to do with me

A number of other songs also had significance for Manson and the Family. Most were from the White Album, and all were from The Beatles' later period.

I Will - "And when at last I find you, your song will fill the air. Sing it loud so I can hear you, make it easy to be near you." These words were interpreted as a search for Jesus Christ, which Manson saw himself as personifying. In response he began writing songs in earnest, hoping to initiate revolution as a result.

Honey Pie - "Sail across the Atlantic to where you belong" was thought to signify that The Beatles were to join the Family in Death Valley. "The magic of your Hollywood song" was seen as a direct reference to Manson's music.

Glass Onion - The line about The Fool On The Hill ("I tell you, man, he living there still") was a warning against false prophets, including Maharishi Mahesh Yogi.

Don't Pass Me By - Much of the lyrics, in which Ringo Starr waits for an absent lover, were taken by Manson to mean The Beatles were waiting for their messiah.

Blue Jay Way - Manson believed that The Beatles belonged with him in California. Blue Jay Way, written about Derek Taylor becoming lost in fog, was seen as an admission by the group that they had "lost their way". The song ends with the mantra: "Please don't be long, please don't you be very long".

Sexy Sadie - Prior to the release of the White Album, Manson had renamed Susan Atkins, a member of the Family, Sadie Mae Glutz. When he heard the song it reinforced the belief that the group was sending him coded messages.

Rocky Raccoon - The only one of Manson's chosen songs to directly mention the Bible, Manson believed that Rocky Raccoon referred to 'coon', a derogatory term for a black person. "Rocky's revival" was thought to be an anticipation of an uprising by black people.

Happiness Is A Warm Gun - Although much of the song's lyrics are surrealist nonsense or references to heroin use, Manson believed the chorus was meant to encourage black people to arm themselves against whites.

back to the NFL/National Anthem...

[The Anti-Archon]

Fuck the NFL/National Anthem. Obvious race bait psyop is obvious. Manson is much more interesting.

The Process Church of the Final Judgment and the Manson Family
The Robert F. Kennedy Connection
by Adam Gorightly

http://www.paranoiamagazine.com/2012/11/the-process-church-of-the-final-judgment-and-the-manson-family/

In The Ultimate Evil, author Maury Terry contended that the Son of Sam killer, David Berkowitz, was a member of “The Children,” a satanic cult based in Venice, California, with links to the military and intelligence establishments. According to Terry, The Children is a splinter group of The Process Church of the Final Judgment, which—although officially disbanded some thirty years ago—continues to operate secretly in six major U.S. cities. Terry claims that The Process Church has changed its name many times, along the way accumulating millions of dollars in real estate holdings, and operates from a “remote enclave” in New York.

According to Terry, Berkowitz—though admittedly involved in some of the Son of Sam murders—was set up as a fall guy by The Children for the series of murders, in the same way that Charles Manson may have been manipulated in the Tate-LaBianca murders. In his treatise, Terry accused The Process Church of Hitler worship, animal sacrifice, drug running, kiddie porn, murder, and complicity in Son of Sam murders. Process apologists argue that Terry took Process founder Robert DeGrimston’s symbolic teachings too literally, and that The Ultimate Evil suffers from poor logic and dubious sources, and is littered with “red herrings.”

From these sources, including Berkowitz himself, Terry learned that one Son of Sam murder was videotaped, and that the cameraman, Ron Sisman, was subsequently murdered by cult members when they went to recover the Son of Sam snuff film. Terry pinned this murder on a mysterious figure dubbed Manson II, whom he later identified as W. Mentzer, an “occult superstar” and hit-man who moved through the same late-1960s milieu of sex, drugs and porn as Manson, and who had been intimate with Tate-LaBianca murder victim, Abigail Folger. Terry quoted his source on Mentzer/Manson II as “someone in the intelligence community.”

The Mayfair Mindbenders

In 1963, Robert DeGrimston Moore met Mary Anne MacLean at the Hubbard Institute of Scientology in London where they both worked as auditors and instructors. This relationship led to marriage, and the pair eventually left Scientology, taking with them some of Scientology founder L. Ron Hubbard’s principles and methods. They incorporated them into a new group called “Compulsions Analysis,” which used a technique or “process” similar to Scientology.

Eventually, “Compulsions Analysis” evolved into The Process Church of the Final Judgment. According to Ed Sanders in The Family, during his stint with Scientology, DeGrimston had attained the level of “Clear,” just as Charles Manson claimed to have reached the same lofty level while studying Scientology in prison. The textbook Scientology definition of “Clear” is “an individual who can be at cause knowingly and at will over mental matter, energy, space and time (MEST).”

In March of 1966, The Process moved into a mansion on Balfour Place in the Mayfair district of London, followed by twenty-five young acolytes, who turned over all their worldly possessions to the DeGrimstons. Garbed in matching black uniforms—consisting of tailor-made magician’s capes with the Mendez goat of Satan stitched in red on the back—The Process sponsored public gatherings during this period. For a half-pound admittance fee, the faithful were treated to telepathy circles, midnight meditations, “I Ching” interpretations, group encounter games (for instance, one called “Rape”), and guidance in the Tarot and Kabala. Many of these activities took place in a coffee bar called Satan’s Cavern, located in the basement of Balfour Place.

Later in 1966, the group moved their headquarters to Xtul, on the Yucatan peninsula of Mexico, and there things took a decidedly spiritual turn, the resulting cosmology of which consisted of four co-equal entities: Christ, Jehovah, Lucifer and Satan; each representing a different spiritual path that a Process member could adopt. Some members took these archetypes symbolically, while others—it is said—began to worship the actual deities. It was during this period that DeGrimston came to fancy himself the reincarnation of Jesus Christ. It was this Christ-like persona he affected in photos of the time, projecting all the trappings of Jesus come again, with beard and messianic countenance staring righteously upon humankind.

At Xtul, The Process acquired an estate, which included four miles of seashore, a palm tree jungle, a lagoon, and various wooden huts. In November 1966, lawyers representing the parents of converted Processeans flew to Mexico in the prospect of bringing back their sons and daughters. An article in the London Sunday Telegraph entitled “The Mindbenders of Mayfair” dealt with the return of the youths from their jungle hideaway.

After their Xtul sojourn, The Process returned to London and made forays into the pop music field, trying to attract into their ranks the likes of the Beatles and Mick Jagger. During this period they became very adept at the art of “End Times” proselytizations, holding lectures, demonstrations and outdoor rant sessions in Hyde Park. They also began publishing a magazine to further the cause called, quite fittingly, Process, which adorned its covers with pictures of battlefield death imagery. Around this time, they managed to attract Mick Jagger’s girlfriend, Marianne Faithful, into the fold. In issue #3 of Process, she appeared on the cover, lying down, as if dead, and holding a rose. Earlier, Jagger himself appeared on the cover of another Process one-shot magazine, Freedom of Expression.

In “The Death” issue of Process from 1971, a brief article by Charles Manson appeared, entitled “Pseudo-profundity in Death,” which Charlie penned during the course of the Tate/LaBianca trial. In this article, Manson described death as “total awareness … Coming to Now … and Peace from this world’s madness and paradise in my own self.” While The Process took measures to distance themselves from the Manson camp, the inclusion of Manson’s essay only further muddies the waters of an alliance that, at the very least, shared many of the same philosophical tenets.

Unholy Alliances

In 1967, Robert DeGrimston and other Process members descended upon San Francisco’s Haight Ashbury district during the Summer of Love, taking lease of a property located at 407 Cole Street. Meanwhile, Charlie Manson and his girls lived at 636 Cole Street, a mere two blocks away. One of the more controversial assertions I’ve heard suggesting contact between Manson and The Process comes courtesy of John Parker’s Polanski, which claims that Manson was a regular visitor at The Process headquarters on Cole Street, “reaching the fourth of the six levels of initiation, that of ‘prophet.’” At the end of 1968, he was established as a leader of a group which he called “Satan’s Slaves.” During their Haight Ashbury period, Parker contends, The Process also attempted to form a union with Anton LaVey, high priest and founder of the San Francisco-based Church of Satan. However, these efforts were unsuccessful.

Through his own calculated Satanic-related media events, LaVey attracted the attention of such Hollywood bigshots as Sammy Davis, Jr. and sexpot Jayne Mansfield. Through these Hollywood connections, LaVey made inroads into the movie industry and was on the payroll of both The Mephisto Waltz and Roman Polanski’s Rosemary’s Baby. In the latter, LaVey appeared on screen as the Devil himself, bedding down comely Mia Farrow and impregnating her with the literal spawn of Satan.

Eerily enough, one young beauty LaVey attracted was Susan Atkins, who appeared topless in his Witches’ Sabbath show playing the fitting role of a vampire. Three years later, Atkins would confess to licking blood from the knife that she used to kill actress Sharon Tate, when her theatrical vampire fantasy became reality during the Tate-LaBianca murder spree. Photos from this period show Atkins in her predestined vampire role, wearing a long, open black robe, revealing her nude body, as mock blood dripped from her lips. Later, of course, she fell into the loving arms of Father Manson, and the rest is dark history.

In another strange twist of fate, Rosemary’s Baby was filmed in New York City at Manhattan’s Dakota Apartments, a massive gothic building that later was the home and sacrificial death site of former Beatle John Lennon, co-writer of a song that influenced Manson, “Helter Skelter.” (see Paranoia, issue 33)

The Process Church opened a chapter in Los Angeles in early 1968. They stayed in public view until a few days after Robert Kennedy’s assassination on June 5, 1968, after which they dropped mysteriously from sight. By this time, The Process had become subdivided into three sub-groups: the Luciferians, the Jehovans and the Satanists.

The Luciferian branch were fun-loving hedonists, celebrating sensuality. Conversely, the Jehovan branch were uptight, narrow-minded zealots, both anti-sex and austere, who beat each other as punishment, and were into self-flagellation. The Satanists were both cold and calculating, on the violent end of The Process cosmological spectrum. According to an individual’s personal desires, one could become an advocate of any of the branches of the group; it didn’t really matter, because in the long run they were all going to unite during the End Times.

Some observers have described The Process as a society dedicated to aiding and abetting the end of the world by stirring up murder, violence and chaos. In The Process’ End Times scenario, they would survive the wrath of the apocalypse as the chosen people, which was identical to the Manson Family worldview. The Process philosophy was summed up in Robert DeGrimston’s 1967 book As It Is:

Christ said: Love thine enemy. Christ’s enemy was Satan and Satan’s Enemy was Christ. Through love, enmity is destroyed. Through love, saint and sinner destroy the enmity between them. Through love, Christ and Satan have destroyed their enmity and come together for the End. Christ to judge, Satan to execute judgment.

It was this marriage of Heaven and Hell that Charles Manson grooved with. Manson’s cosmology—though similar to The Process—projected a more simplistic dualism, as he was known to his followers as both Satan and Christ. Like The Process, Manson preached the Second Coming, and that when Christ returned this time, it would be the Romans (i.e., the Establishment) who went up on the cross in his place. Following is a list of other similarities shared by the Manson Family and The Process:

Manson spoke frequently of the bottomless pit; The Process, of the bottomless void.

Within its organization, The Process called itself “the family,” and referred to its members as brothers, sisters, mothers and fathers.

Fear was a focal point for both The Process and Manson. A special issue of Process magazine dealt exclusively with the topic. “Fear is beneficial,” wrote the author of one article. “Fear is the catalyst of action. It is the energizer, the weapon built into the game in the beginning, enabling a being to create an effect upon himself, to spur himself on to new heights and to brush aside the bitterness of failure.”

The Process Church symbol was that of an inverted swastika, the very same symbol Manson later carved into his forehead.

Both The Process and Manson recruited biker groups. The two biker gangs closest to the Manson Family and The Process were the Satan Slaves and the Straight Satans.


Bad Vibrations

The Process, like Charles Manson, sought out rich and successful people. In addition to John Phillips and Cass Elliot of the Mamas and the Papas, they approached record producer Terry Melcher around the same time that Melcher first met Manson. In fact, author Maury Terry suggests that it was at John Phillips’ parties that the paths of Roman Polanski, Sharon Tate, and the rest of the unfortunate Cielo Drive crowd initially crossed paths with the Manson Family.

Manson had other celebrity connections. Prior to the Tate-LaBianca murders, Beach Boy Dennis Wilson is said to have been a Manson supporter. The Manson Family, in fact, lived in Wilson’s house for a few months, supported by Wilson, and Manson recorded some songs at the home studio of Beach Boy, Brian Wilson. However, Dennis Wilson soon became frightened by Manson and fled the rented house. Manson and friends remained but were soon evicted by the landlord. Nevertheless, a song by Manson, with slightly altered lyrics, appears on the Beach Boy’s album 20/20. The original song was prophetically titled “Cease to Exist,” but it is called “Never Learn Not To Love” on the album.

When The Process arrived in Los Angeles in early 1968, John Phillips put them in touch with real estate agent Artie Aarons. Once a week, the Processeans would go around cleaning and repairing various properties owned by Aarons. In return for their services, Aarons let The Process use a large, two-story house in south central L.A. In the following weeks, The Process members—while working for Aarons—visited the old John Barrymore mansion at 1301 Summit Ridge Drive, which was located several blocks down the hill from where Roman Polanski was renting a house from actress Patty Duke at 1600 Summit Ridge. Manson and his minions also lived for a short period in a shack on Summit Ridge Drive.

According to Ed Sanders, not long after moving into the Summit Ridge house, Sharon and Roman gave a housewarming party, where a strange event occurred involving Roman and some vicious dogs from down the hill. Apparently, the Polanski’s had agreed to take care of Patty Duke’s sheep dog, and the dog had a habit of getting loose. On the night of the party, the sheep dog once again bounded away, and Roman Polanski went after it.

Somewhere down the hill, Polanski encountered a group of vicious German Shepherds belonging to—as Sanders phrased it after a libel suit by DeGrimston—”English occultists who were in America to promote the end of the world.” Somehow, during his attempt to retrieve Patty Duke’s pooch, Polanski got locked in a garage trying to escape the cult’s dog pack, and managed to break a rear window out and escape up the hillside.

In Helter Skelter, Vincent Bugliosi recounted how Manson had been bragging about a relationship with The Process, until one day he was paid a visit in jail by two brethren of the church, “Father John” and “Brother Matthew.” After their departure, Manson seems to have clammed up for good about The Process, and since then has made no further comments. Prior to the visit by these two mysterious Processean MIB’s, Manson was asked by Bugliosi if he knew Robert DeGrimston, and his reply was to the effect, “He and I are one and the same.” After their visit with Manson, the two Process members met with Bugliosi and assured him that Manson and DeGrimston had never met.

The RFK Assassination

In his 1973 book, America Bewitched, Daniel Logan presented the theory that black magic cults were responsible for Robert F. Kennedy’s assassination. The cults in question, which Logan pinpointed, were “100 percent white, hated the black race, and felt that the way world chaos could be ignited was to incite whites against blacks.” According to Logan, persons belonging to “black-arts churches” were seen in full public view, black hoods and all, on the streets of Southern California communities right up until the RFK assassination, after which they suddenly vanished from sight. Logan went on to list several “coincidences” swirling around RFK’s assassination:

Many black-arts California-based cults such as The Process Church taught the destruction of America through chaos and mass violence.
Members of these cults generally hated blacks.
Robert Kennedy worked for the advancement of blacks and was generally liked, trusted, and respected by them.
Black-arts cults were mainly localized in the Los Angeles area.
Robert Kennedy was assassinated in Los Angeles.
Sirhan Sirhan, the assassin of Robert Kennedy, had studied mysticism and was a devotee (albeit a misguided one) of Mme. Blavatsky, the woman who founded the Theosophical Society, many of whose beliefs were not only mystically but politically inspired. (While living in India, she openly denounced the pacifist ways of Mahatma Gandhi, who was himself eventually assassinated.)
Charles Manson, while in prison in the 1960s, had also studied the occult teachings of Mme. Blavatsky, along with those of other mystical personalities.
The night before Robert Kennedy was murdered he had his last dinner with Sharon Tate and her husband, Roman Polanski.
A few months later, Sharon Tate and her friends were killed by Charles Manson’s family.
Rumors Writ in Blood

Ed Sanders, in the first Dutton edition of The Family: The Story of Charles Manson’s Dune Buggy Attack Battalion, suggested that The Process Church had “a baleful influence” on Sirhan Sirhan. During the spring of 1968, Sirhan had visited clubs in Hollywood on the same turf where The Process was proselytizing their doom-and-gloom philosophy. Furthermore, Sirhan talked several times prior to Kennedy’s death about visiting a certain occult group in London.

Among the rumors disseminated by Sanders was that a Process member named Lloyd worked as a chef at the Ambassador Hotel at the time of RFK’s assassination. Perhaps it was only coincidence, but Sirhan visited a friend in the Ambassador Hotel kitchen only a day before the assassination. In the revised 2002 edition of The Family, Sanders recounted a 1974 investigation into “a satanic group of English origin” conducted by an Immigration and Naturalization Service (INS) criminal investigator named Richard Smith. After Sanders’ publisher, Dutton, lost a libel suit to The Process Church over the first edition of The Family, all editions thereafter contained this oblique reference.

According to Sanders, an investigator working for him contacted Smith and was allowed to read his report, which stated, “English satanist cult members invited Sirhan Sirhan to a number of parties that were sponsored by television people in Los Angeles, and that one of the parties took place at Sharon Tate’s residence. At these parties, it was averred, sexual and ritualistic activities were reported to have occurred.” According to the INS report, this “English satanic group” purportedly took out a contract with Manson to kill Sharon Tate because of something she overheard at these parties regarding Sirhan Sirhan.

As Sanders alleges, in December 1968, Manson Family member Bruce Davis went on a pilgrimage to England where he spent roughly five months. While in London, the rumor goes, Davis was employed by the Church of Scientology, working in the mailroom and studying Scientology courses in his spare time. The Church of Scientology fired Davis after a couple of weeks because of drug use. According to a homicide investigator close to the Tate-LaBianca case, Davis began hanging out at the Mayfair townhouse of The Process Church. Davis later returned to England in May of 1969 in the company of five women alleged to be witches.

According to Sanders, Joel Pugh, husband of Manson follower Sandra Good, accompanied Bruce Davis on his first trip to London. On December 1, 1969, Pugh’s decomposing body was found in the Targarth Hotel in London, lying naked on his back with a sheet covering his lower body. His throat had been cut with razor blades, there were slash marks on both wrists and his blood had been used to inscribe “backwards writing” and “comic book drawings” on a mirror in the room. Scotland Yard investigators ruled the death a suicide, but when Inyo County (California) District Attorney Frank Fowles learned of the death, he made official inquiries through Interpol to check Davis’s visa.

Officials confirmed that Davis had been in London in April of that year, and had been there more recently, but they had no official record of the exact dates. Davis was next reported to be in Los Angeles in February 1970, according to Sanders, when he was questioned in Inyo County on auto theft charges, then released. Davis then disappeared once again, resurfacing on December 2, 1970, four days after the mysterious disappearance of Manson Defense Attorney Ron Hughes, who was later found dead.

According to Bill Nelson in Manson Behind The Scenes, on November 21, 1969, the corpses of two Scientology members—15-year old James Sharp and 19-year old Doreen Gaul—were discovered in a Los Angeles alleyway, each stabbed in excess of fifteen times. The two reportedly lived in a Scientology commune, and it has been alleged that Gaul once dated Bruce Davis. When detective Earl Deemer of the LAPD arrived on the murder scene, his first reaction was, “The people who did this, did Sharon Tate.” This murder was later attributed to the infamous Zodiac killer. (In a September 29, 2003 article in the New York Post, Mentzer (aka Manson II) was linked to the Zodiac killings.)

News reports placed Doreen Gaul, prior to her death, at the same residence where Bruce Davis was living: reportedly, a Scientology commune at 1032 South Bonnie Brae in Los Angeles. According to Nelson, the “Manson Family bus” was parked on this street on several occasions. While Davis had admitted to living in this “Scientology commune,” he denied ever having met Doreen Gaul.

Rumors have long run rampant concerning alleged ties between Charles Manson and the Church of Scientology. Not long after Manson’s arrest for the Tate-LaBianca murders, strange tips began trickling into a prominent west coast magazine concerning a rumored Manson-Scientology connection (Cabot). This spurred the Church of Scientology to offer a reward to anyone with information leading to the conviction of the libeler/slanderer who had spread the still unsubstantiated rumors of Manson’s involvement in Scientology.

Manson, the Beatles and Helter Skelter is some deep, deep shit, a rabbit hole that leads all the way to the artifice of this fake post-WWII reality we live and breathe in birthed in 1947 with the establishment of the CIA and the death of Crowley. It is not just coincidence that Rosemary's Baby was filmed in the Dakota, that Polanski's wife was famously murdered by the Manson Family based on music worked on by Lennon and then Lennon was killed at the Dakota. It's all part of the puzzle box of this fucked up world IMO.

[The Anti-Archon]

while I agree, & they may have found their perfect tool in Trump, Helter Skelter was about an amusement park ride.

The Tower Of Babel

"Like, Helter Skelter is a nightclub. Helter Skelter means confusion. Literally. It doesn't mean any war with anyone. It doesn't mean that those people are going to kill other people. It only means what it means. Helter Skelter is confusion. Confusion is coming down fast. If you don't see the confusion coming down fast, you can call it what you wish."

The Tower of Babel was literally confusion coming down fast...

[Daglord]

Manson, the Beatles and Helter Skelter is some deep, deep shit, a rabbit hole that leads all the way to the artifice of this fake post-WWII reality we live and breathe in birthed in 1947 with the establishment of the CIA and the death of Crowley. It is not just coincidence that Rosemary's Baby was filmed in the Dakota, that Polanski's wife was famously murdered by the Manson Family based on music worked on by Lennon and then Lennon was killed at the Dakota. It's all part of the puzzle box of this fucked up world IMO.

even stranger (IMHO) is Polanski, a little-known director at the time, moving to the US & making Rosemary's Baby - a film about a struggling actor, involved with the occult, sacrificing his unborn son in order to advance his film career.

shortly after... his movie wins an Academy award, makes him a superstar & his unborn child is sacrificed in the Tate murders.

As he says goodbye to Sharon on board ship, a grotesque thought flashes through his mind, 'you'll never see her again"

https://www.scribd.com/document/119382449/Strange-Images-of-Death